Janae Bakken grew up in Minnesota - where she spent too many frozen winters on the cross-country ski team, and went to college in Chicago - where she rarely saw the sun, so she made her escape to Los Angeles soon after graduation. She worked on the production staffs of such shows as Mad About You, Caroline in the City, and Malcolm in the Middle before making the jump to writer, where she spent eight years writing on the critically-acclaimed Scrubs, rising from a Staff Writer to Co-Executive Producer. Janae was twice-nominated for an Emmy Award with the other Scrubs writers. In addition, she has written & sold television pilots for Warner Brothers, ABC Studios, MRC and ABC Network. Janae was most recently a Co-Executive Producer on Freeform’s Baby Daddy for four years, and before that a Co-EP on Anger Management and Gary Unmarried. In 2007, she was selected to participate in the WGA Showrunner Training Program. In 2011, Janae was a guest professor at her alma mater Northwestern University, teaching Television Writing to the MFA Creative Writing students.
Notes from the show:
Grew up in a suburb of Minneapolis St. Paul, MN.
She discovered "The Wonder Years," her favorite and my favorite television show.
Northwestern University's "Creative Writing for the Media" program - selected 12 people each year, was in the program with me, Breen Frasier ("Criminal Minds")
Heavily influenced by the show "Friends." A lot of her friends back home in MN got married in their early 20s.
She lived in London, England after college.
Hollywood will always be there, but you're better off going without attachments.
If you want to be in television, you need to be in Los Angeles.
20 years later, she loves Los Angeles. "Everyone's starting over... you're in it together."
It helps there are so many alumni there.
Has been in the workforce since the age of 14, but all Los Angeles jobs were "in the industry."
First screenplay was a comedy. First TV job was a comedy.
Gave a funny speech at high school graduation.
First job she had in L.A., she got fired.
Agency job is a good foot in the door.
On her resume, she mentioned her job as "Gedney the Minnesota Pickle." William Morris called about it.
Interview with Pang-Ni Landrum; Mascot life got her the job.
Unruly: most people can't do funny.
At least 70% who made it in television comedy went the assistant route.
During all down time, she wrote scripts. Every night, after work, would stay at desk and work on own scripts.
Skills went "through the roof" being in the room with great writers.
Had "interview" with UTA, thought she was being interviewed.
"The longer I have done this, the more I realize how hard it is to run a show. And it's really easy to see who does it well and who doesn't."
"I'm not young enough to know everything." - Oscar Wilde
"Baby Daddy" is over, and she can't wait to get back in a writer's room.
"The TV Writer's Workbook" - Ellen Sandler
"Writing the TV Drama Series 3rd edition: How to Succeed as a Professional Writer in TV" - Pam Douglas
Take a UCLA Extension class or Santa Monica Community College class
Taffy Brodesser-Akner is a writer who has contributed compelling non-fiction features to major publications such as the New York Times Magazine, GQ, Cosmopolitan, Los Angeles Times, SElf, and so many more. Taffy is also the author of the forthcoming Random House novel, Schrödinger's Marriage. Taffy has been a finalist for multiple awards, including the James Beard Award and the Mirror Award, and has won awards from the New York Press Club, the Los Angeles Press Club, Society of Feature Journalists. She also teaches a phenomenal writing class, but the class we discuss in this interview unfortunately sold out before we launched. Subscribe to "How I Broke Into" on iTunes, Stitcher, Spotify, TuneIn, I Heart Radio, or Google, or listen to the entire podcast here:
Notes from the show:
Inspired by writer Lauren Slater.
"It’s also telling that I’m not a trained journalist. I have a degree in screenwriting from NYU. The highest priority when I’m writing is on storytelling, not voice, but storytelling. That’s my business. Voice comes easily to me because it’s easy for me to write how I sound. And structure is the thing that I think about the most. ‘What is the beginning, middle, and end of this?’ "
Loved the soap opera Santa Barbara, and got a job at a Soap Opera publication
Worked at Mediabistro in Los Angeles
PTSD from giving birth
"Moving Swift-ly on? Giggling Tom Hiddleston is spotted bidding farewell to a mystery brunette during evening stroll back in London" - Daily Mail
"Chasing the New American Dream"
"Obsessive-compulsive disorder nearly ruined her life" by Sarah Maraniss Vander Schaaff
"Who Controls Childbirth?" - Self Magazine
"We Have Found the Cure! (Sort Of)" - Outside Magazine
Water's Edge (The story of Bill May, the greatest male synchronized swimmer who ever lived, and his improbable quest for Olympic Gold) - ESPN Magazine
The Art of War by Steven Pressfield
Interviewing celebrities is never not weird.
Classes at: taffyakner.com/classes (but August 2017 class is sold out)
Amy Ignatow is a writer and illustrator living in Philadelphia with her family. After graduating from Moore College of Art and Design she worked as a freelance illustrator, a stationery designer, an air-brush face and body painter, an art teacher, an SAT prep instructor, a reporter, a wedding singer, and a florist. Amy was not very good at working for other people. Or with other people. Or around other people. Now she happily works in a studio by herself. She is the author and illustrator of the critically acclaimed middle grade POPULARITY PAPERS series as well as the upcoming ODDS series. The first ODDS book, THE MIGHTY ODDS, debuts in September 2016. In her spare time Amy enjoys knitting, peeling oranges, yelling, and absurdity. She is a relatively good driver.
As an aside, she is pretty hilarious.
Notes from the show:
She loves it when boys read her book.
Each page is hand draw and handwritten, unlike "Diary of a Wimpy Kid."
Amy has different handwritings for herself under different circumstances.
She was working gig jobs, including teaching, but they weren't her passion.
Shel Silverstein - The Devil and Billy Markham
'Ig City" - weekly web comic
An agent on Craigslist sought clients, didn't like her web comics.
She sent the site of the comics to the guy who ultimately became her agent. The agent told her she needed a story. He suggested writing for kids.
When they started sending out queries for Popularity Papers, 75 pages were sent out. She kept getting rejections, and then Random House made an offer. They leveraged that offer to get more offers.
"Amy, you're the writer. You get to wear anything you want."
Went with "Diary of a Wimpy Kid" imprint Abrams Books/Amulet.
Scholastic's office was awesome but they didn't offer enough money.
"You have to gauge: who am I most comfortable with? Who do I want to work with?"
Her agent gave her a huge packet titles, "Now You Have a Book Deal."
She went to Moore College of Art and Design in Philadelphia. She learned how to take criticism there.
"As an artist, you have to get really used to rejection. And get used to defending your work and get used to taking criticism to make you and your work better."
Long Island High School for the Arts
Illustrators are hilarious.
Jim Henson was a big influence.
Faber-Castell Pitt Artist Pens
Dyslexic kids like the handwriting in her book series.
Her new book has four main characters in a Lancaster, PA setting, based on Lititz, PA.
"A Better Place to Be" - Harry Chapin's Greatest Stories Live
She will be part of an anthology of stories called "Funny Girl."
She played Pictionary with Daniel Handler.
Dan Rothenberg at Pig Iron Theatre
Agent: "You are being a little too kind to your characters."
"Put the work out there. Even if you're afraid, you have to be fearless."